The White Stripes – Elephant
From the very beginning of “Seven Nation Army” all I could do was smile. I grew up with this album. I remember first hearing “Hardest Button to Button” and being so entranced by their strange approach to music I went out and bought the album. It was probably one of the first songs I learned how to play on guitar. The guitar here is gritty and in some ways doesn’t sound like it should go together and yet that’s the appeal. “I Just Don’t Know What To Do With Myself” feels like an evolution from their previous album. As loud as Jack White plays, there’s no denying his virtuosity (“Ball and Biscuit”). Only thing that rivals their sound is their story: divorcees disguising themselves as siblings?
Highlights: Seven Nation Army, There’s No Home For You Here, I Just Don’t Know What To Do With Myself. The Hardest Button to Button
- Don Henley – The End of Innocence
To be honest, I had the hardest time getting past the cover because Don Henley looks like Corey Feldman. The piano on the opening track sounded so much like Bruce Hornsby I had to research it. Imagine my surprise when I looked it up only to find Bruce both produced this album and plays on the title track (perhaps, I know something about music after all). Even Axl Rose makes his appearance on this album. That’s definitely Pino Palladino on “New York Minute.” “Shangri-La” reminds me of The Police. “The Last Worthless Evening” sounds like this iconic ballad though I’m not sure if it ever was.
Highlights: The End of Innocence, The Last Worthless Evening, New York Minute The Heart of the Matter
- Various Artists – The Indestructible Beat of Soweto
I just think it’s cool that world music makes the list repeatedly. These are the sounds of Africa. Just because you have no idea what they’re saying doesn’t prevent you from being able to enjoy the experience. It’s funky, poppy with a bit of jazz. If you wanted to know where Coldplay got some of their sounds for A Head Full of Dreams look no further than the guitar on “Emthonjeni Womculo.” You can hear the Peter Gabriel and the Vampire Weekend tracks that would follow from all this.
Highlights: Holotelani, Indoda Yejazi Elimnyama, Thul’ulalele, Ngicabange Ngaqeda
*don’t ask me how to pronounce any of these.
387. Wu-Tang Clan – Enter the Wu-Tang
This album is so east coast rap that when the first song came on I thought it was NaS. Each rapper has their own unique style. You can hear how this would be a sound formative for so many east coast rappers to come. You can hear Notorious BIG, you can hear NaS, you can even hear Jay-Z. This album flies by with all the personalities here. It’s aggressive and angry and I’m actually sad I hadn’t listened to this album before. My advice though: skip the opening of “Method Man” if you’re trying to stay holy.
Highlights: Shame on a ****, Wu Tang: 7th Chamber, Can It All be So Simple, Protect Ya Neck
- Steely Dan – Pretzel Logic
You know how I talked about music per square inch? Well, Steely Dan just might be the epitome of it. Steely Dan has always been a name I’ve heard but I’ve never listened to the music. Embarrassingly enough, I didn’t even know Steely Dan was a band and not a person. At times, I hear smooth jazz, other times funk, blues, and rock. But for all its progressiveness, it goes down smooth. I love the harmonies on the chorus on “Rikki Don’t Lose That Number” and the guitar domination in “Parker’s Band.”
Highlights: Night by Night, Barrytown, Parker’s Band, Pretzel Logic,
- Bob Dylan – Love and Theft
You know what’s crazy? This is Dylan’s 31st studio album. Thirty first. How on God’s great earth do you have thirty-one albums and thirty-one albums later still make this list of the greatest albums of all time? You write lines like “Standing by God’s river, my soul is beginning to shake.” That’s how. This album did have its fair share of controversy as Dylan was accused of plagiarism on “Floater” but of course, when you’re as iconic as Dylan the person you may have ripped off of is more honored than insulted.
Highlights: Mississippi, Honest With Me, Po’ Boy
- The Who – A Quick One (Happy Jack)
The only thing I knew about The Who prior to this was “Baba O’Riley.” This album is poppy for the most part but it has its fair share of experimentation (“Boris the Spider” and “Cobwebs and Strange” come to mind). These guys are symbolic of a sound. “A Quick One, While He’s Away” is a nine-minute song with five miniature songs within it. The fact that Green Day would go on to cover this makes me think this is where they got inspiration for songs like “Jesus of Suburbia” and “Homecoming.”
Highlights: Heat Wave, So Sad About us
- Talking Heads – More Songs About Buildings and Food
You know what’s interesting to me? I love “Once in a Lifetime” but whenever I’ve tried to stop and listen to a full project, I can’t seem to get into it. Unfortunately, the same applies here more or less. Maybe I’m really not a fan of new wave. Maybe it just takes more listens. But this is definitely Talking Heads and all their eccentricities. “Artists Only” reminds me “Once in a Lifetime” while at the same time being completely different. I’ll keep giving these guys a shot and maybe one day the impression will stick.
Highlights: With Our Love, Artists Only, The Big Country
- Modern Lovers – Modern Lovers
Don’t know what I expected. I was waiting or the moment when the lead singer would sing, but then I realized that blend between talking and shouting was his actual singing. Sonically, reminds me of The Doors, especially the Wurlitzer on “Astral Plane.” Apprently, these guys went on to influence Sex Pistols. “Pablo Picasso” made me wonder if girls actually couldn’t resist the stare, and if he really was never called an a**hole for picking up women. The verses to “Hospital” are beautiful in their own way but then the chorus come and take it in new directions.
Highlights: Old World, Hospital, Someone I Care, Modern World.
- Beach Boys – Smile
Here’s the thing about this list: you go from being a stranger to these artists to all of a sudden being some sort of aficionado. Of course I’ve heard Beach Boys before. Of course I’ve never listened to a full project. Of course Rolling Stone decides to remedy this with a five disc collection of clippings and demos and unreleased music of theirs. The harmonies are beautiful. In order to fully appreciate this album, you have to understand its story: Imagine this being the height of the Beatles/Beach Boys rivalry – Beach Boys being America’s answer to the Beatles – this album having so much pressure attached to it that it psychologically scarred Brian Wilson. Re-workings of some of these songs were released as Smiley Smile, which wasn’t received as well as their previously released work. Mainly because he decided to play it safe instead of releasing some of these original versions. As a result this is hailed as the greatest pop album never released. Time and time again, they show their mastery in music. Even the backing vocal tracks are impressive. This is definitely something for Beach Boy die-hards. Though, listening to them in the studio is interesting.
Highlights: Heroes and Villains (all their versions I suppose), Do You Like Worms (Roll Plymouth Rock), Cabin Essence, Vega-Tables, Good Vibrations