The Temptations – Anthology
I know what you’re thinking: Tomy, what do you know about The Temptations? Not as much as others, but this was the stuff I was raised on. While my parents diverged greatly in their musical preferences at times, they found common ground in the Temptations. Heck, I still remember the miniseries. But what I appreciated most about this collection was that even as familiar as I was with The Temptations before this, this still showed me a number of songs I didn’t know. Helped me to appreciate them even more.
Highlights: My Girl, Get Ready, Ain’t Too Proud to Beg, Could Nine, I Can’t Get Next to You, Just My Imagination, Superstar Papa Was A Rolling Stone, Let Your Hair Down
- Tom Waits – Rain Dogs
I know there’s such a thing as circus music, but if there was ever such a thing as the circus in the form of music, this is it. This is definitely more experimental than Mule Variations. There’s polka, for Pete’s sake. But for all the eccentricities, Tom Waits can be as beautiful as they come (“Anywhere I Lay My Head”). Lyrically he’s urban, almost like he writes his lyrics on the back of a gum wrapper or some crumpled piece of paper. I still have no idea how in the world someone naturally sounds like this.
Highlight: Big Black Mariah, Hang Down Your Head, Blind Love, Downtown Train
- ZZ Top – Eliminator
Second ZZ Top record on the list but this is their eighth studio album, some ten years after Tres Hombres. Upon first few seconds its sounds less Southern rock and more hard rock; less “bar scene” and more “large stadium”. As a result, it sounds a bit more produced then Hombres (and is there really a song about TV dinners on here?). “Got Me Under Pressure” will show you that even as bands grow in ten years, their heart can remain the same.
Highlights: Gimme All Your Lovin’, Sharp-Dressed Man, Legs, Bad Girl
- Massive Attack – Blue Lines
Back with some more trip-hop. The bass is moody, the atmosphere is trance inducing and yet, when they rap they sound like A Tribe Called Quest (“Blue Lines” in particular). Other times there’s spoken word that reminds a bit of Saul Williams. If that wasn’t enough, “Be Thankful for What You’ve Got” is an homage to Curtis Mayfield. Come on. That’s just awesome. Overall, just a really cool album to vibe to. Not sure if I’m a trip-hop fan yet but I actually found myself enjoying some of this.
Highlights: Safe from Harm, Blue Lines, Five Man Army, Unfinished Sympathy
- Roxy Music – For Your Pleasure
Immediately it felt like Rocky Horror Picture show. Almost theatrical in its execution, somewhere in between new wave and Elton John. Even though this isn’t a Brian Eno record per se, he adds some keyboard sensibilities. This would actually be the last album he did with the band before going on to his own solo endeavor. While I’m not sure I understand the album (might require more time to enjoy), this band’s legacy is deep.
Highlights: Editions of You, Grey Lagoons
- LCD Sound System – Sound of Silver
Scene: Old Navy in Emeryville, California. It’s Christmas time and the line to check out wraps around the store. My wife’s buying jeans, I’m looking at exercise clothes but there’s nothing I need. That’s when I hear “That’s how it starts” over a repetitive A chord playing on the system and I’m immediately thinking of The 1975’s “Sex”, wondering if it’s a cover of some sort. But as the song unfolds, it proceeds to go on a different direction. Turns out, the song was “All My Friends” and the band was LCD Sound System. This image of recognition and surprise is what characterizes this band. You always feel like you know where the song should go and yet they never go there. Where they go is so much better. It isn’t uncommon to see songs longer than five minutes on this thing. It’s dance-y, space-y at times. There’s spoken word. Almost feels like something that belongs on the soundtrack of Nick and Nora’s Infinite Playlist.
Highlights: North American Scum, Someone Great, All My Friends
- Randy Newman – Good Old Boys
If the voice sounds familiar it’s because it’s the man who brought you Toy Story’s “You’ve Got A Friend in Me.” As satirical as he can be (“Rednecks”), you can’t deny the quality here. The strings on “Marie”? Oh man, I thought I’d fallen in love all over again. Newman is a storyteller. Orginially starting as a concept album chronicling the life of one person, the released product wound up being stories from multiple perspectives and therein lies the charm. However, I will say: I now see why Newman’s afraid to play “Rednecks” in certain cities. Between “we’re keeping the n***ers down” and “we don’t know our a** from a hole in the ground” he’s asking for a fight and/or a bullet.
Highlights: Marie, Guilty, A Wedding in Cherokee County
- M.I.A. – Kala
When this album came out “Paper Planes” was EVERYWHERE. Yet for all its hype, I’ve never stopped and listened past the singles. This is where world music meets pop and while I love both, I’m not sure if this is something I would naturally listen to. Nevertheless, it’s loud and powerful. By the time I got to “Paper Planes” I found myself both relieved by the familiarity and how tame it seems in comparison to the chaos of the album. But it’s also impressive: M.I.A. managed to make the leading single not the best song on the album nor the song that’s most representative of the album.
Highlights: Boyz, Jimmy, 20 Dollar, Paper Planes
- The Beatles – Let It Be
This might be heretical but this is the first Beatles album I’ve ever listened to from start to finish and perhaps, what better place to start than at the end of their careers. Even at their worst, you can still see why they’re one of the greatest bands in the world. Still so many classics on this thing. This is them trying to get back to their simple sound and rediscover their chemistry as a band. Some say it’s messy and all over the place, but as a complete Beatles ignoramus, I couldn’t tell. Because George Harrison’s solo album was on here earlier, “I Me Mine” doesn’t surprise me as one of his.
Highlights: Dig A Pony, Across the Universe, Let It Be, Get Back
- Jackson Browne – The Pretender
The only problem with having multiple albums from the same artist so spaced out is that you forget what their other release sounded like. Here, Browne sounds like a guy trying to make the most of a bad situation. In some ways this is true (this after his wife has committed suicide). His songwriting prowess comes forward here (“No matter how fast I run/I can never seem to get away from me”). Even the upbeat songs are tempered by sadness (“Here Comes the Tears Again). Sounds like he’s tired and just trying to make it through. “Sleep’s Dark and Silent Gate” has to be one of the best titles of a song ever.
Highlights: Your Bright Baby Blues, Here Comes the Tears Again, Sleep’s Dark and Silent Gate, The Pretender